Synopsis
"'May 1973, I buy a camera. I want to start filming, by myself and for myself. Professional cinema does no longer attract me. To look for something else. I want to approach the everyday. Above all in anonymity. It takes time to learn how to do it.' With these words,
David Perlov starts his epic film
Diary. Shot over a period of three decades, first on 16mm and later on video (
Updated Diary, 1990-1999), it is considered today the most striking work in Israeli documentary filmmaking." –
Ariel Schweitzer,
Cahiers du Cinéma "How to capture a psychological state, how to seize a character, how to describe a place: my choices are very subjective. My personality as an author is very dominant. I use the device of cinema as an intermediary between reality and the viewer. I impose my vision on the materials. From this point of view, my 'Diary' is my identity card. I try to reach the fragile border between life and art." –
David Perlov