Synopsis
“
Godard and
Gorin’s meditation on and dissection of a famous image of their
Tout va bien star Jane Fonda, taken during a trip to Hanoi, rendered on the soundtrack by the two filmmakers in hard-boiled English. Far from the dry-as-dust film of legend, this is a formidable piece of political analysis that reaches some kind of peak when they find a direct link between Fonda’s expression of caring for the Vietnamese peasants she’s talking to the same expression on her father’s face, thirty years before, in
The Grapes of Wrath. “We made this film in the same way that you’d make a can opener,” said
Gorin. A can-opener that’s built to last.” –
Film Society of Lincoln Center
