Synopsis
Laura Mulvey and
Peter Wollen’s visually accomplished and intellectually rigorous
Riddles of the Sphinx is one of the most important avant-garde films to have emerged from Britain during the 1970s. The second collaboration between Mulvey and Wollen, both of whom are recognised as seminal figures in the field of film theory,
Riddles of the Sphinx explores issues of female representation, the place of motherhood within society and the relationship between mother and daughter. Composed of several discrete sections, many of which are shot as continuous circular pans, the film takes place in a range of domestic and public spaces, shot in locations which include
Malcolm Le Grice’s kitchen and
Stephen Dwoskin’s bedroom.
