The Walls Of Sana'a

Synopsis

"Sana’a, like all of the Third World for Pasolini, was two things, an intact, sublimely beautiful medieval Arab city of the past, and a corrupted, degraded city being developed in the present. In 1971, Pasolini made [this] film in the form of a plea to UNESCO to save Sana’a from the destruction of modernisation" – Sam Rohdie, The Passion of Pier Paolo Pasolini