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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
London: A Metaphysical Mirror
By
Adam Kossoff
ARTICLE
Anxious Visions
By
Keith Griffiths
ARTICLE
Lindsay Anderson Notes
By
John Anderton
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson
|
Lucinda Henderson
INTERVIEW
What is Animation? Bob Godfrey in Conversation
By
Martin Pickles
ARTICLE
Visual Art and the Moving Image
By
James Swinson
INTERVIEW
Love Is the Devil
By
John Maybury
|
Ben Gibson
ARTICLE
Expanded Practice in Television: Defending the Right to Difference
By
William Raban
ARTICLE
Marvo Man
By
William Fowler
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
ARTICLE
Modern Ruin: The Future is Already Here
By
Grant Gee
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
REVIEW
In Pursuit of Treasure Island: Raul Ruiz is on the Trail of a Classic
By
James Norton
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