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	<title>CLOSE-UP &#187; Peter Rose</title>
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	<description>Classics &#124; Early Cinema &#124; World Cinema &#124; Documentaries &#124; Experimental &#124; Video Art</description>
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		<title>Spirit Matters</title>
		<link>http://www.closeupfilmcentre.com/film-library/spirit-matters-peter-rose.html</link>
		<comments>http://www.closeupfilmcentre.com/film-library/spirit-matters-peter-rose.html#comments</comments>
		<pubDate>Wed, 21 Oct 2009 12:04:45 +0000</pubDate>
		<dc:creator>autobot</dc:creator>
				<category><![CDATA[The Library]]></category>
		<category><![CDATA[1991]]></category>
		<category><![CDATA[3493551100485]]></category>
		<category><![CDATA[Colour Colour]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Peter Rose]]></category>
		<category><![CDATA[Spirit Matters]]></category>
		<category><![CDATA[USA]]></category>

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		<description><![CDATA[Director: Peter Rose
Year: 1991
Country: USA
Length: 6 mins
Format: PAL &#124; R0
Colour: Colour
Certificate: E



	Tags: 1991, 3493551100485, Colour Colour, Experimental, Peter Rose, Spirit Matters, The Library, USA
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		<title>Incantation</title>
		<link>http://www.closeupfilmcentre.com/film-library/incantation-peter-rose.html</link>
		<comments>http://www.closeupfilmcentre.com/film-library/incantation-peter-rose.html#comments</comments>
		<pubDate>Tue, 15 Sep 2009 15:57:04 +0000</pubDate>
		<dc:creator>autobot</dc:creator>
				<category><![CDATA[The Library]]></category>
		<category><![CDATA[1972]]></category>
		<category><![CDATA[3493551100485]]></category>
		<category><![CDATA[Colour Colour]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Incantation]]></category>
		<category><![CDATA[Peter Rose]]></category>
		<category><![CDATA[USA]]></category>

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		<description><![CDATA[Director: Peter Rose
Year: 1972
Country: USA
Length: 8'30 mins
Format: PAL &#124; R0
Colour: Colour
Certificate: E



	Tags: 1972, 3493551100485, Colour Colour, Experimental, Incantation, Peter Rose, The Library, USA
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		<title>Analogies: Studies In The Movement Of Time</title>
		<link>http://www.closeupfilmcentre.com/film-library/analogies-studies-in-the-movement-of-time-peter-rose.html</link>
		<comments>http://www.closeupfilmcentre.com/film-library/analogies-studies-in-the-movement-of-time-peter-rose.html#comments</comments>
		<pubDate>Tue, 15 Sep 2009 15:57:04 +0000</pubDate>
		<dc:creator>autobot</dc:creator>
				<category><![CDATA[The Library]]></category>
		<category><![CDATA[1977]]></category>
		<category><![CDATA[3493551100485]]></category>
		<category><![CDATA[Analogies]]></category>
		<category><![CDATA[Analogies: Studies In The Movement Of Time]]></category>
		<category><![CDATA[Colour Colour]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Peter Rose]]></category>
		<category><![CDATA[USA]]></category>

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		<description><![CDATA[Director: Peter Rose
Year: 1977
Country: USA
Length: 14 mins
Format: PAL &#124; R0
Colour: Colour
Certificate: E



	Tags: 1977, 3493551100485, Analogies, Analogies: Studies In The Movement Of Time, Colour Colour, Experimental, Peter Rose, The Library, USA
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		<item>
		<title>Man Who Could Not See Far Enough, The</title>
		<link>http://www.closeupfilmcentre.com/film-library/man-who-could-not-see-far-enough-the-peter-rose.html</link>
		<comments>http://www.closeupfilmcentre.com/film-library/man-who-could-not-see-far-enough-the-peter-rose.html#comments</comments>
		<pubDate>Tue, 15 Sep 2009 15:57:04 +0000</pubDate>
		<dc:creator>autobot</dc:creator>
				<category><![CDATA[The Library]]></category>
		<category><![CDATA[1981]]></category>
		<category><![CDATA[3493551100485]]></category>
		<category><![CDATA[Colour Colour]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Man Who Could Not See Far Enough The]]></category>
		<category><![CDATA[Peter Rose]]></category>
		<category><![CDATA[USA]]></category>

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		<description><![CDATA[Director: Peter Rose
Year: 1981
Country: USA
Length: 33 mins
Format: PAL &#124; R0
Colour: Colour
Certificate: E



	Tags: 1981, 3493551100485, Colour Colour, Experimental, Man Who Could Not See Far Enough The, Peter Rose, The Library, USA
]]></description>
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		<title>Secondary Currents</title>
		<link>http://www.closeupfilmcentre.com/film-library/secondary-currents-peter-rose.html</link>
		<comments>http://www.closeupfilmcentre.com/film-library/secondary-currents-peter-rose.html#comments</comments>
		<pubDate>Tue, 15 Sep 2009 15:57:04 +0000</pubDate>
		<dc:creator>autobot</dc:creator>
				<category><![CDATA[The Library]]></category>
		<category><![CDATA[1990]]></category>
		<category><![CDATA[3493551100485]]></category>
		<category><![CDATA[Colour Colour]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Peter Rose]]></category>
		<category><![CDATA[Secondary Currents]]></category>
		<category><![CDATA[USA]]></category>

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		<description><![CDATA[Director: Peter Rose
Year: 1990
Country: USA
Length: 16 mins
Format: PAL &#124; R0
Colour: Colour
Certificate: E



	Tags: 1990, 3493551100485, Colour Colour, Experimental, Peter Rose, Secondary Currents, The Library, USA
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		<title>Analogies</title>
		<link>http://www.closeupfilmcentre.com/film-library/analogies-peter-rose.html</link>
		<comments>http://www.closeupfilmcentre.com/film-library/analogies-peter-rose.html#comments</comments>
		<pubDate>Thu, 17 Jul 2008 18:00:23 +0000</pubDate>
		<dc:creator>autobot</dc:creator>
				<category><![CDATA[The Library]]></category>
		<category><![CDATA[1991]]></category>
		<category><![CDATA[3493551100485]]></category>
		<category><![CDATA[Analogies]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Peter Rose]]></category>
		<category><![CDATA[USA]]></category>
		<category><![CDATA[Yann Beauvais]]></category>

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		<description><![CDATA[Director: Peter Rose
Year: 1991
Country: USA
Length: 77 mins
Format: PAL &#124; R0
Colour: Colour
Certificate: E


Synopsis
"One of the characteristics of Peter Rose's work is to scrutinize the ability of cinema and video to create inherent and often paradoxical meanings without necessarily resorting to narration. Whichever the chosen medium (video, computer, film, performance, etc.), his work jeopardizes the idea of [...]]]></description>
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