is a synthesis of text and image that draws inspiration from Impressionism, On Kawara
, Barnett Newman
and the existential diary of Jean-Paul Sartre
from which it adopts its title. The video footage is a journal of observations shot entirely on a mobile phone. Crudely low resolution, it retains a fuzzy warmth and familiarity rather than the cold and impersonal qualities of much digital technology, challenging a 'certain end-point in cinema, wherein we only ever imagine and receive mediated images.'