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By Jon Dovey

DOCUMENT

Affirmative Actions: Sally Potter on Yes

By Sally Potter | John Berger

ARTICLE

What Are We For?

By Robert Chilcott

INTERVIEW

Second Run, First class

By Kieron Corless

Au Contraire: Jean-Luc Godard

REVIEW

Claiming the Real: The Documentary Film Revisited by Brian Winston

By Margaret Dickinson

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

By Graeme Hobbs

ESSAY

Intimate Witnesses

By Catherine Elwes

INTERVIEW

A Death Dream! Dizzying! Dizzying!

By Michael Brooke

INTERVIEW

The More Desperate We Are, the More Hope There Is

By Robert Chilcott

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

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Claiming the Real: The Documentary Film Revisited by Brian Winston

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"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Close-Up on Buster Keaton