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Close-Up on Orson Welles
Take Two: Zero for Conduct / The 400 Blows
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Pre-history of the Partisans
Histoire(s) du cinéma
Ash Is Purest White
ARTICLE
Who's to Say What We Should and Shouldn't See?
By
Margaret Dickinson and Simon Reynell
REVIEW
Magnum Cinema
By
James Leahy
LETTER
A Word in your Ear, Minister...
By
Julian Petley
REVIEW
Doing the Right Thing
By
Lee Hill
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
Beetleski
By
Rosy Rockets
ARTICLE
Celluloid Singapore
By
Ben Slater
ARTICLE
In the National Interest?: Questions of Independence in Indian Cinema
By
Gayatri Chatterjee
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