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The Liberated Film Club

ESSAY

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Vertigo Café: The Critic as Litigant

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Mobile Men: Apichatpong Weerasethakul’s Migrant

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My Father’s Country

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Broken Trust of the Image

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The Troubles We’ve Seen

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Visual Art and the Moving Image

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In Memoriam

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Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema

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All in the Script? Then Why Make the Movie!

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Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

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In the Past, they Did Things Differently (or Did they?)

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The Berlin Talent Campus: Playing in the Pregnant Oyster

By Thessa Mooij
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Simone Weil: Notes on a Timid Cinema

By Anat Pick
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