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By Maarit Khan

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

Susu Laroche: Chaos Lure Us Chaos Rule Us

Close-Up on Leos Carax

ARTICLE

Real Lives: Italian People Shows

By Rita Crisci

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

Emplacing

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

Take Two: Kiss Me Deadly / Repo Man

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

Agnès Varda: Gleaning Truths

ARTICLE

Tears of a Kook

By Rosy Rockets

The War Game

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

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The Incredible Simultaneity Console III

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Asian Films in Britain

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Vertigo Café: Illuminating Cinematography

Susu Laroche: Chaos Lure Us Chaos Rule Us

Close-Up on Leos Carax

ARTICLE

Real Lives: Italian People Shows

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

Emplacing

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

Take Two: Kiss Me Deadly / Repo Man

ARTICLE

I Like the FID and the FID Likes Me

Agnès Varda: Gleaning Truths

ARTICLE

Tears of a Kook

The War Game

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA