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ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Rushes Short Film Festival
By
Owen Armstrong
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
ARTICLE
Final Residues of the Image: On Marcus Reichert
By
Stephen Barber
BIOGRAPHY
Fading of the Light: Sven Nykvist Remembered
By
James Norton
ARTICLE
Noise and Silence and Smoke and Stars: On Jiří Weiss’s Romeo, Juliet and Darkness
By
Graeme Hobbs
ARTICLE
Dreams of Distance: Bergman's Shame, a Borderlands View
By
Graeme Hobbs
INTERVIEW
Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit
POEM
High Blue
By
Tereza Stehlíkovà
MANIFESTO
The Cambridge Document
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
FILM PROGRAMME
24 April 2012: Kurt Kren: Which Way to CA?
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
FILM PROGRAMME
2 December 2008: Ben Russell: TRYPPS TRYPPS TRYPPS TRYPPS TRYPPS
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