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ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
INTERVIEW
What is Animation? Bob Godfrey in Conversation
By
Martin Pickles
ARTICLE
“The skin, the aging, the imperfection, the colour, the beauty”
By
Sophie Mayer
INTERVIEW
Love Is the Devil
By
John Maybury
|
Ben Gibson
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
ARTICLE
MAI DAY!
By
Julian Petley
INTERVIEW
A Death Dream! Dizzying! Dizzying!
By
Michael Brooke
OBITUARY
A Snail’s Trail in the Moonlight
By
Mark Webber
ARTICLE
Things that Quicken the Heart
By
Catherine Lupton
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