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ARTICLE
Telling it Like it Is: A Report from the Sheffield International Documentary Festival
By
Holly Aylett
INTERVIEW
Symbiopsychotaxiplasm: Take One and Take 2 2 ½
By
Robert Chilcott
ARTICLE
4th Halloween Short Film Festival
By
Philip Ilson
ARTICLE
Filming in Russia
By
Hannah Collins
REVIEW
Distant Voices, Still Lives and Journeys of Desire
By
Jason Wood
ARTICLE
Tokyo Slaughterhouse
By
Stephen Barber
ARTICLE
An Artist in the Floating World
By
Maggie Lee
INTERVIEW
Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands
By
William Fowler
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Nokia-isation of Scottish Film Policy
By
Mark Cousins
ARTICLE
Seasons Past: The Films of Michael J. Ham
By
William Fowler
ARTICLE
Forgotten Cities
By
Stephen Barber
ESSAY
Something in the Interval
By
Marina Vishmidt
ARTICLE
Emotional Locations: A Meeting with Ryuichi Hiroki
By
Maggie Lee
ARTICLE
Extremes of Independence
By
Tetsuaki Matsue
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