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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Moving Memories: Video / Film – Archival Traces
By
Nick Stewart
REVIEW
The Story of Film
By
Sukhdev Sandhu
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
The Independent Film Parliament
By
Holly Aylett
ARTICLE
Film in Cornwall
By
Antal Kovacs
ARTICLE
First World Film
By
Mark Cousins
INTERVIEW
Against Forgetting Filming the Genocide
By
Jason Wood
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
ARTICLE
To the Independent Film Parliament
By
Alex Cox
REVIEW
Film Art Phenomena
By
Catherine Elwes
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