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ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
Vertigo Café: Illuminating Cinematography
By
Cathy Greenhalgh
ARTICLE
Dash this Weekly Reckoning Up!
By
Rosy Rockets
INTERVIEW
Interview with Chris Marker
By
Dolores Walfisch
ARTICLE
I Wanted a Girl so she Could Give me a Hand
By
Rosy Rockets
INTERVIEW
Living in the Dark: An Interview with Jonathan Romney
By
Chris Darke
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ARTICLE
Real Lives: Camcorder Cults
By
Jon Dovey
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
Love You to Death
By
Rosy Rockets
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
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