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EDITORIAL
Volume 3 - Issue 4 - Editorial
By
Ben Slater
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Cold Mountains, Red Armies
By
Go Hirasawa
INTERVIEW
Documentary Laid Bare: Tetsuaki Matsue
By
Maggie Lee
ARTICLE
Ecovisions: Seeing Animals in Recent Ethnographic Film
By
Anat Pick
ARTICLE
Japanese Documentaries Take Tokyo
By
Fujioka Asako
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Sex, Violence and Politics – Japanese Style
By
Jasper Sharp
ESSAY
Passenger: Reflections on the Unfinished Film of Andrzej Munk
By
Dai Vaughan
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Poetry in Motion: Ah! Sunflower
By
Gareth Evans
INTERVIEW
Distant Voices, Still Lives: An interview with Terence Davies
By
Peter Fraser
ARTICLE
Face up to Croaking it
By
Charles Jason Lee
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