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FILM
The Third Man
Director:
Carol Reed
ARTICLE
The Man from London: Notes after the Event
By
Dai Vaughan
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
ARTICLE
The Man from London
By
John Bradburn
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Man in a Box
By
Anita Biressi
|
Heather Nunn
ARTICLE
First World Film
By
Mark Cousins
INTERVIEW
Against Forgetting Filming the Genocide
By
Jason Wood
ARTICLE
Fajr Film Festival Diary, Iran
By
Michael Chanan
REVIEW
Geoffrey Jones: The Rhythm of Film
By
Dai Vaughan
ARTICLE
Première Station: Jésus de Montréal- A Filmgrimage
By
Sophie Mayer
|
Lady Vervaine
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
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