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Experimental Ethnography: The Work of Film in the Age of Video, Dir. Catherine Russell
Experimental Film and Anthropology, Dir. Arnd Scneider , Caterina Pasqualino (eds.)
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s, Dir. Rachel Garfield
Explosion in the Movie Machine, Dir. Chris Gehman (ed.)
Eye of the Century: Film, Experience, Modernity, Dir. Francesco Casetti
Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, Dir. P. Adams Sidney
Eyes Wide Open: A Memoir of Stanley Kubrick and Eyes Wide Shut, Dir. Frederic Raphael
Eyes Wide Shut, Dir. Michel Chion
F.J. Ossang: Films & Documents, Dir. _
Fame, Dir. Andy Warhol
Familia Aeminium, Dir. Pedro Costa , Rui Chafes
Fantasy Cinema: Impossible Worlds on Screen, Dir. David Butler
Fassbinder Thousands of Mirrors, Dir. Ian Penman
Fata Morgana, Dir. Werner Herzog
Fate in Film: A Deterministic Approach to Cinema, Dir. Thomas M. Puhr
Fear Eats the Soul, Dir. Laura Cottingham
Federico Fellini: His Life and Work, Dir. Tullio Kezich
Federico Fellini: Variety Lights to La Dolce Vita, Dir. Frank Burke
Fellini, Dir. Liliana Betti
Fellini Lexicon, Dir. Sam Rohdie
Female Trouble, Dir. Chris Holmlund
Feminisms in the Cinema, Dir. Laura Pietropaolo , Ada Testaferri (eds.)
Feminist Auteurs: Reading Women's Films, Dir. Geetha Ramanathan
Feminist Film Studies: Writing the Woman Into Cinema, Dir. Janet McCabe
Feminist Worldmaking and the Moving Image, Dir. Erika Balsom , Hila Peleg (eds.)
Femmes Fatales: Feminism, Film Theory, Psychoanalysis, Dir. Mary Ann Doane
Fieldnotes Issue 1 - Spring 2021, Dir. Bella Marrin (ed.)
Fieldnotes Issue 2 - Summer 2021, Dir. Bella Marrin (ed.)
Fieldnotes Issue 3 - Spring 2022, Dir. Bella Marrin (ed.)
Fieldnotes Issue 4 - Winter 2022, Dir. Bella Marrin (ed.)
Fieldnotes Issue 5 - Summer 2023, Dir. Bella Marrin (ed.)
Fieldnotes Issue 6 - Spring 2024, Dir. Bella Marrin (ed.)
Fight Club: the original screenplay, Dir. Jim Uhls
Figures of Desire: A Theory and Analysis of Surrealist Film, Dir. Linda Williams
Figures Traced in Light: On Cinema Staging, Dir. David Bordwell
Film Analysis: A Norton Reader, Dir. Jeffrey Geiger , R.L. Rutsky (ed.)
Film and Community in Britain and France: From La Règle du Jeu to Room at the Top, Dir. Margaret Butler
Film and Philosophy: Taking Movies Seriously, Dir. Daniel Shaw
Film and Politics in America: A Social Transition, Dir. Brian Neve
Film and Theory: An Anthology, Dir. Robert Stam , Toby Miller (eds.)
Film and Video Art, Dir. Stuart Comer (ed.)
Film Art Phenomena, Dir. Nicky Hamlyn
Film Art: An Introduction, Dir. David Brodwell , Kristin Thompson
Film Art: An Introduction, Dir. David Bordwell , Kristin Thompson
Film as a Subversive Art, Dir. Amos Vogel
Film as Art, Dir. Rudolf Arnheim
Film as Corporeal Exposition: On SPIN/VERSO/CONTOUR by Hannes Schüpbach, Dir. Maja Naef
Film As Ethnography, Dir. Peter Ian Crawford , David Turton
Film as Film: The Collected Writings of Gregory J. Markopoulos, Dir. Mark Webber (ed.)
Film As Film: Understanding And Judging Movies, Dir. V. F. Perkins
Film at Wit's End: Essays on American Independent Filmmakers, Dir. Stan Brakhage
Film Autorship: Auteurs and Other Myths, Dir. C. Paul Sellors
Film Biographies, Dir. Stan Brakhage
Film Comedy, Dir. Geoff King
Film Culture in Transition: Film Remakes as Ritual and Disguise: From Carmen to Ripley, Dir. Anat Zanger
Film Culture | No. 50-51, Dir. Jonas Mekas (ed.)
Film Culture | No. 53-54 -55, Dir. Jonas Mekas (ed.)
Film Culture | No. 56-57, Dir. Jonas Mekas (ed.)
Film Culture | No. 63-64, Dir. Jonas Mekas (ed.)
Film Culture | No. 65-66, Dir. Jonas Mekas (ed.)

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