In his ruthlessly clear-eyed final film, French master Robert Bresson pushed his unique blend of spiritual rumination and formal rigor to a new level of astringency. Bresson constructs his unforgiving vision of original sin out of starkly perceived details, rooting his characters in a dehumanizing material world that withholds any hope of transcendence.

Has' oneiric trance film famously uses a Russian doll structure to leap across time and space, following its unlikely hero across a series of bleak, frightening yet strangely exuberant, landscapes, largely set in a dream Andalusia. The Saragossa Manuscript fully deserves its legendary status as one of most unclassifiable and extraordinary cult/art films of the postwar European cinema.

One Minute Volume Ten is the tenth in the series of artist moving image programmes curated by filmmaker Kerry Baldry. The programme is an eclectic mix of films all within the duration of one minute by artists at varying stages of their careers.