Madhumati is one of the most influential Indian films of all time. Yet, Madhumati is often considered uncharacteristically commercial with its reincarnation love story set in an eerie mansion and misty hillside forests. Within this supernatural setting, however, are brutal feudal inequities and the exploitation of natural resources and indigenous people.

Weerasethakul returned to his hometown in Isan Province for this suitably mesmeric cine-poem on magic, history, and dreams. In a former school built on an ancient cemetery, a group of soldiers slumbers quietly, victims of a mysterious sleeping sickness.

Supakino presents a double bill of supernatural love stories from 1950s French and Indian cinema set amongst misty forests and mysterious mansions. Both films will be introduced by guest curator Ranjit S. Ruprai and include post-screening discussions between Ranjit and film critic Phuong Le.

Naval petty officers 'Badass' Buddusky and 'Mule' Mulhall are assigned to escort 18-year-old seaman Larry Meadows to a naval prison, where he’ll serve eight years for stealing $40 from his Admiral’s wife’s charity. Taking a shine to the luckless lad, the two career sailors decide to show him a good time in the major cities between Virginia and New Hampshire.

In the northern Chinese city of Manzhouli, they say there is an elephant that simply sits and ignores the world. In virtuoso visual compositions, the film tells the story of one single suspenseful day from dawn to dusk, when the train to Manzhouli is set to depart.