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Decalogue: The Ten Commandments, Dir. Krzysztof Kieślowski , Krzysztof Piesiewicz
December, Dir. Alexander Kluge , Gerhard Richter
DEFA: East German Cinema 1946-1992, Dir. Seán Allan , John Sandford (eds.)
Defining Cult Movies, Dir. Mark Jancovich , Antonio Lázaro Reboll , Julian Stringer , Andy Willis (eds.)
Dekalog 1: On the Five Obstructions, Dir. Mette Hjort (ed.)
Dekalog 2: On Manuel de Oliveira, Dir. Carolin Overhoff Ferreira (ed.)
Deleuze and Cinema: The Aesthetics of Sensation, Dir. Barbara M. Kennedy
Deleuze and Horror Film, Dir. Anna Powell
Deleuze and the Cinemas of Performance: Powers of Affection, Dir. Elena del Río
Deleuze and World Cinemas, Dir. David Martin-Jones
Deleuze, Cinema and National Identity: Narrative Time in National Contexts, Dir. David Martin-Jones
Dennis Hopper: Interviews, Dir. Nick Dawson (ed.)
Dennis Hopper: Photographs 1961-1967, Dir. Tony Shafrazi (ed.)
Depardon Cinéma, Dir. Alain Bergala
Derek Jarman and Lyric Film: The Mirror and the Sea, Dir. Steven Dillon
Derek Jarman: Protest!, Dir. Seán Kissane , Karim Rehmani-White (eds.)
Despite The System: Orsen Welles Versus The Hollywood Studios, Dir. Clinton Heylin
Devotional Cinema, Dir. Nathaniel Dorsky
Diary of a Film, Dir. Jean Cocteau
Dietrich's Ghosts: The Sublime and the Beautiful in Third Reich Film, Dir. Erica Carter
Digital Storytelling: The Narrative Power of Visual Effects in Film, Dir. Shilo T. McClean
Dilwale Dulhania Le Jayenge, Dir. Anupama Chopra
Direct Cinema: Observational Documentary and the Politics of the Sixties, Dir. Dave Saunders
Direct Theory: Experimental Film/Video as Major Genre, Dir. Edward S. Small
Directing: Film Techniques and Aesthetics, Dir. Michael Rabiger
Directors in British and Irish Cinema, Dir. Robert Murphy (ed.)
Directory of World Cinema: China, Dir. Gary Bettinson
Directory of World Cinema: Germany, Dir. Michelle Langford (ed.)
Disaster Movies: The Cinema of Catastrophe, Dir. Stephen Keane
Disclosure of the Everyday: Undramatic Achievement in Narrative Film, Dir. Andrew Kelvan
Discovering Orson Wells, Dir. Jonathan Rosenbaum
Distant Voices, Still Lives, Dir. Paul Farley
Diverse Practices: A Critical Reader on British Video Art, Dir. Julia Knight (ed.)
Do The Right Thing: A Spike Lee Joint, Dir. Spike Lee , Lisa Jones
Documentary Display: Reviewing Nonfiction Film and Video, Dir. Keith Beattie
Documentary Film Classics, Dir. William Rothman
Documentary Filmmakers Speak, Dir. Liz Stubbs
Documentary Storytelling: Making Stronger and More Dramatic Nonfiction Films, Dir. Sheila Curran Bernard
Documenting the Documentary: Close Readings of Documentary Film and Video, Dir. Barry Keith Grant , Jeanette Sloniowski (eds.)
Documents in Canadian Films, Dir. Douglas Fetherling (ed.)
Double Exposure: Fiction into Film, Dir. Joy Gould Boyum
Double Lives, Second Chances: The Cinema of Krzysztof Kieślowski, Dir. Annette Insdorf
Down and Dirty Pictures, Dir. Peter Biskind
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Dir. Peter Kramer
Dream Life: Movies, Media, and the Mythology of the Sixties, Dir. J. Hoberman
Dreaming Aloud: The Life and Films of James Cameron, Dir. Christopher Heard
Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies, Dir. Elizabeth G. Traube
Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema, Dir. James Peterson
Drift, Dir. Lee Ranaldo , Leah Singer
Drive, Dir. John Crandall
Driving Visions: Exploring the Road Movie, Dir. David Laderman
Dunkirk, Dir. Christopher Nolan
Duras / Godard: Dialogues, Dir. Margueritte Duras , Jean-Luc Godard
Durgnat on Film, Dir. Raymond Durgnat
Dwoskino: The Gaze of Stephen Dowskin, Dir. Rachel Garfield , Henry K. Miller (eds.)
Dziga Vertov: The Vertov Collection at the Austrian Film Museum, Dir. Austrian Film Museum
Ealing Studios, Dir. Charles Barr
Early Cinema in Russia and Its Cultural Reception, Dir. Yuri Tsivian
Early Cinema: Space, Frame, Narrative, Dir. Thomas Elsaesser (ed.)
Early Form Sequences 1927-1932, Dir. Kurt Kranz

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