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ARTICLE
Why Do You Make Films?: Film as a Bridge
By
Víctor Erice
ARTICLE
The Sins of the Father: Andrei Zvyagintsev in Conversation
By
James Norton
ESSAY
Mondo Jodo: Anarchy and Alchemy: The Films of Alejandro Jodorowsky
By
Ben Cobb
ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
ARTICLE
A Family Affair
By
Rob McCrae
ESSAY
No Hope without the Possibility of a Wound
By
Gareth Evans
ARTICLE
Crossing the Borderline
By
Sophie Mayer
ARTICLE
Two or Three Things… I Know About Żuławski
By
Daniel Bird
ARTICLE
Scenes from The New World of Love
By
Simon Hartog and John Ellis
INTERVIEW
Scott Walker: Far from Drifting
By
Stephen Kijak
REVIEW
Underground, Overground: OMSK and tank: Stories of our Times
By
Philip Ilson
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
ARTICLE
Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference
By
Holly Aylett
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