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By Antal Kovacs

ARTICLE

Reality Video: Whose Reality?

By Catherine Elwes

Derek Jarman's Super 8 Film Cycle

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

Georgia 100: Film/Fest/Feast

REVIEW

John Hill's British Cinema in the 1980s

By Gill Henderson

INTERVIEW

For Cannes or Abidjan?

By Holly Aylett

Side-Splitting

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

Close-Up on VALIE EXPORT

INTERVIEW

Interview with Kenith Trodd for Vertigo July 1996

By Vertigo

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

By Nicky Hamlin

ARTICLE

Creative Capacities of Developing Countries

By Alessandra Meleiro

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Reality Video: Whose Reality?

Derek Jarman's Super 8 Film Cycle

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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Transitions: Cinema and Video Art from Georgia

Georgia 100: Film/Fest/Feast

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John Hill's British Cinema in the 1980s

INTERVIEW

For Cannes or Abidjan?

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ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

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Interview with Kenith Trodd for Vertigo July 1996

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Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

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Creative Capacities of Developing Countries