Archives

OBITUARY

When Faces Counted Most

By Noah Isenberg

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

ARTICLE

Channel Hopping

By Simon Cropper

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

INTERVIEW

A Story of Experimental Film

By Louis Benassi

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

BIOGRAPHY

An Introduction to Chantal Akerman

By Vivian Ostrovsky

Related Items

OBITUARY

When Faces Counted Most

ARTICLE

All my Eye and Aristotle: Editing European Films

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

ESSAY

Three Images of May: Cinema and the Uprising

ARTICLE

Channel Hopping

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

INTERVIEW

A Story of Experimental Film

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

BIOGRAPHY

An Introduction to Chantal Akerman

The Incredible Simultaneity Console

The Unveiled

Pola X

It’s My Own Invention: Resonance FM Fundraiser

Close-Up on Michelangelo Antonioni