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ARTICLE
My Father’s Country
By
Maryclare Foá
Close-Up on Terence Davies
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
The Last Detail
LETTER
There Will Be no Cinema in Utopia
By
John Jordan
ARTICLE
Like an Anaconda, Blowing in the Wind
By
Mark Stafford
ARTICLE
Why Do You Make Films?: Film as a Bridge
By
Víctor Erice
INTERVIEW
Observer/Observed: An Interview with Takahiko Iimura
By
Damien Sanville
Absent Forces: The Politics of the Eerie in English Rural Moving Image
ARTICLE
The Hours Is Not a Film
By
John Bradburn
Something to Live for
ARTICLE
S.T.A.L.K.E.R. or Stalker
By
Daniel Stuyck
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
Mirror
ARTICLE
London: Why Is It so Hard to Enjoy?
By
Mark Fisher
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