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ARTICLE
Against the Poverty of the World: Viktor Shklovsky and the Critical Mass
By
James Norton
Eraserhead
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
Hallelujah the Hills
REVIEW
The Main Course
By
the Celluloid Liberation Front
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
INTERVIEW
Remixing Hollywood
By
Nadine Poulain
ARTICLE
Human Rights Watch
By
Sarah Harvey
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
INTERVIEW
Her Stories
By
Eileen Elsey
ARTICLE
London Eyes
By
Stephen Barber and Jeremy Reed
ARTICLE
Sink or Swim – The Muddy Waters of Independent Distribution
By
Caroline Freeman and Kate Gerova
ARTICLE
First World Film
By
Mark Cousins
OBITUARY
Independent Days: Remembering Derek Jarman
By
Tony Peake
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