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By Luke Burton

Close-Up on Jan Švankmajer

Walerian Borowczyk: Obscure Pleasures

ESSAY

At the Edge of the World

By John Ellis

ARTICLE

Distribution: Now You See It, Now You Don’t

By Holly Aylett and Margaret Dickinson

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

By Graham Murdoch

Vive l'Amour

ARTICLE

From Brit-Flicks to Shit-Flicks

By Julien Petley

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

ARTICLE

To the Independent Film Parliament

By Alex Cox

POEM

Hideyhole and the Innersanctum

By Andrew Kötting

ARTICLE

Face up to Croaking it

By Charles Jason Lee

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

By Doc House

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

By Patricia Grzonka

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Close-Up on Jan Švankmajer

Walerian Borowczyk: Obscure Pleasures

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At the Edge of the World

ARTICLE

Distribution: Now You See It, Now You Don’t

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

Vive l'Amour

ARTICLE

From Brit-Flicks to Shit-Flicks

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

ARTICLE

To the Independent Film Parliament

POEM

Hideyhole and the Innersanctum

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Face up to Croaking it

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works