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ARTICLE
Optimism at Point of No Return: Dan Walwin and the Implications of Landscape
By
Gareth Evans
Matthias Müller Early Film Works
INTERVIEW
Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s
By
Mark Goodall
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
Grandma’s Grammar: Memory’s Hands
ARTICLE
Into View: A Two Programme Dialogue
By
Peter Todd & Ute Aurand
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
Nashville
ARTICLE
Sisters Are Doing it for Themselves
By
Rachel Millward
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
Textile Cinema: Amy Dickson, Jennifer Nightingale and Mary Stark
INTERVIEW
Chaos Theories
By
Mar Diestro-Dopido
REVIEW
Apichatpong Weerasethakul
By
Rob Dennis
Mirror
POEM
The Bric-a-brac of Memories: Reflections
By
Tereza Stehlíková
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