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ARTICLE

Why Do You Make Films?: Film as a Bridge

By Víctor Erice

ARTICLE

Arab and African Cinema’s Uncertain Future

By Kamran Rastegar

ARTICLE

How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History

By Ehsan Khoshbakht

Essential Cinema IV

REVIEW

John Hill's British Cinema in the 1980s

By Gill Henderson

Histoire(s) du Cinéma

November Film Festival Programme 5

Close-Up on Masters of Polish Cinema

REVIEW

Film Art Phenomena

By Catherine Elwes

REVIEW

Geoffrey Jones: The Rhythm of Film

By Dai Vaughan

The Liberated Film Club V with Athina Tsangari

ARTICLE

Short Film Symposium at Cork Film Festival

By George Clark

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

Related Items

ARTICLE

Why Do You Make Films?: Film as a Bridge

ARTICLE

Arab and African Cinema’s Uncertain Future

ARTICLE

How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History

Essential Cinema IV

REVIEW

John Hill's British Cinema in the 1980s

Histoire(s) du Cinéma

November Film Festival Programme 5

Close-Up on Masters of Polish Cinema

REVIEW

Film Art Phenomena

REVIEW

Geoffrey Jones: The Rhythm of Film

The Liberated Film Club V with Athina Tsangari

ARTICLE

Short Film Symposium at Cork Film Festival

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

Millennium Film Journal No. 81 Launch Screening