Archives

ARTICLE

Angles of Projection, Exhibition and Symposium

By Adam Kossoff

ARTICLE

Doomed L’Amour de la Mer

By Robert Chilcott

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

By Owen Armstrong

INTERVIEW

From the Beats to the Beastly

By Jay Clifton

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

By Penny Rimbaud

ARTICLE

Filmosophy: Re-imagining the Moving Image

By Tereza Hadravova

INTERVIEW

One to One: Jean-Luc Godard Speaks

By Mike Dibb

ESSAY

No Hope without the Possibility of a Wound

By Gareth Evans

ARTICLE

A Cinema of Challenge

By Christophe Hochhäusler

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

INTERVIEW

Connecting Movements

By Luke Burton

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Turn On, Tune In, Cop Out: The Commodification of Revolution

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