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ARTICLE

Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference

By Holly Aylett

Solaris

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Boy Meets Girl

REVIEW

The Disappearance of Finbar II

By Sean Cubitt

Strain Andromeda The

REVIEW

Claiming the Real: The Documentary Film Revisited by Brian Winston

By Margaret Dickinson

British Sounds

ARTICLE

Gallivant I

By Kimberley Cooper

Salò, or the 120 Days of Sodom

REVIEW

Michael O'Pray: Derek Jarman: Dreams of England

By Catherine Lupton

Vertigo! All Power to the Imagination

Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s

ARTICLE

Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

By Gareth Evans

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ARTICLE

Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference

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Why and for Whom Do We Film Today?

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REVIEW

The Disappearance of Finbar II

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REVIEW

Claiming the Real: The Documentary Film Revisited by Brian Winston

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Gallivant I

Salò, or the 120 Days of Sodom

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Vertigo! All Power to the Imagination

Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s

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Optimism at Point of No Return: Dan Walwin and the Implications of Landscape

Twice a Man + Devotion