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Grandma’s Grammar: Memory’s Hands
ARTICLE
Future of the BFI: The BFI which Will Be 67 in the Year 2000
By
Michael Chanan and Julian Petley
ARTICLE
New Technology: The Human V-Chip
By
Anna Karlin and Alexis Karlin
ARTICLE
Filming in Russia
By
Hannah Collins
The Writerly
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Cinematic Rebellion
By
Lucinda Henderson and Brian Robinson
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
Bright Waters: The Films of Jessica Sarah Rinland
ARTICLE
Vertigo Café: The Critic as Litigant
By
Julian Petley
JAEFF: Nation
Audition / Momma Don’t Allow
REVIEW
The Cinematic Works: Elija-Liisa Ahtila
By
Maximilian Le Cain
INTERVIEW
Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World
By
Robert Chilcott
INTERVIEW
Future Cinema: Pictures that Talk, Sing and Dance
By
Peter Fraser
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