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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
ARTICLE
A Year of Living Dangerously
By
James Norton
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
REVIEW
Beyond the Clean and Proper
By
Kimberley Cooper
ARTICLE
Skinflicks
By
Gareth Evans
ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
ARTICLE
Her Name Is Sabine
By
David Balfour
INTERVIEW
The Film I Will Never Forget
By
Catherine Fowler
ARTICLE
Three Nations Cinema?
By
Jerry White
ARTICLE
Reaching the Invisible Audience
By
Cary Bazalgette
REVIEW
By Brakhage: An Anthology
By
Gareth Evans
ARTICLE
Censorship and the BBFC: A Young Person's View of the UK's Censors
By
Annie Mae Rorke
ARTICLE
Exploiting the Innocent Heroine
By
Elzemieke de Tiege
ARTICLE
A Filmosophy of the Dardennes
By
Daniel Frampton
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