Archives

ARTICLE

Reeling: Is the British Film Institute at Risk?

By Michael Chanan

Sex, Politics, Art and Revolution: French Cinema in 1968

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

ARTICLE

Planet Film, 24 Frames at a Time

By Nicholas Royle

November Film Festival Programme 5

The Liberated Film Club IV with Chloe Aridjis

INTERVIEW

The Daniel Langlois Foundation: Where Art Meets Science in the New Technologies

By Holly Aylett

ARTICLE

Short Film Symposium at Cork Film Festival

By George Clark

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

Non-Aligned Film Archives 02: Regards Inversés (Med Hondo)

Gustav Deutsch: Film Ist. [1-12]

OBITUARY

We do everything for this art, but this art isn’t everything

By George Clark and Redmond Entwistle

ARTICLE

Film Criticism: Why Bother?

By Chris Darke

Related Items

ARTICLE

Reeling: Is the British Film Institute at Risk?

Sex, Politics, Art and Revolution: French Cinema in 1968

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

ARTICLE

Planet Film, 24 Frames at a Time

November Film Festival Programme 5

The Liberated Film Club IV with Chloe Aridjis

INTERVIEW

The Daniel Langlois Foundation: Where Art Meets Science in the New Technologies

ARTICLE

Short Film Symposium at Cork Film Festival

ARTICLE

Why and for Whom Do We Film Today?

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

Non-Aligned Film Archives 02: Regards Inversés (Med Hondo)

Gustav Deutsch: Film Ist. [1-12]

OBITUARY

We do everything for this art, but this art isn’t everything

ARTICLE

Film Criticism: Why Bother?

Jonas Mekas: Short Film Works