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ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
New Zealand Artists’ Film: This is not Film-making
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
Sex, Politics, Art and Revolution: French Cinema in 1968
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
Non-Aligned Film Archives 02: Regards Inversés (Med Hondo)
Gustav Deutsch: Film Ist. [1-12]
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark and Redmond Entwistle
The Liberated Film Club IV with Chloe Aridjis
INTERVIEW
The Daniel Langlois Foundation: Where Art Meets Science in the New Technologies
By
Holly Aylett
ARTICLE
Short Film Symposium at Cork Film Festival
By
George Clark
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
Open City Documentary Festival – The Art of Non-Fiction
November Film Festival
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