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ARTICLE
Controlled Collisions
By
Tony Grisoni
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
INTERVIEW
Raúl Ruiz: Hypothesis and Enigma
By
George Clark
BIOGRAPHY
Remembering Margaret Tait (1918-1999)
By
Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood
ESSAY
Video Confidential
By
Catherine Elwes
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Penny Woolcock on Exodus
By
Penny Woolcock
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Russian Arks
By
Graeme Hobbs and Gareth Evans
ESSAY
The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952
By
Louis Benassi
ARTICLE
Ivan Passer's Intimate Lighting
By
Graeme Hobbs, Mehelli Modi
REVIEW
Subversion!
By
Nicola Woodham
INTERVIEW
Scott Walker: Far from Drifting
By
Stephen Kijak
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