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ARTICLE
The Chronos Project
By
Malcolm Le Grice
ARTICLE
The Switchboard Operator
By
Colin McArthur
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
In Bocca al Lupo
By
Rosy Rockets
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
OBITUARY
In the Light of Eduardo Guedes
By
Pascale Lamche
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
Everything for Sale
By
Julian Petley
ARTICLE
The Sound of Story
By
Stephen Daltry
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