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ARTICLE
Bad Cuts Are Sexy
By
Robert Hargreaves
ARTICLE
The Commission: Third Instalment of a Short Story
By
Hugh Brody
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
EDITORIAL
Volume 1 - Issue 4 - Editorial
By
Margaret Dickinson
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
REVIEW
Colourfield Cinema
By
Poppy Sebag-Montefiore
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
SCRIPT
Cogels-Osylei
By
Nicholas Royle
ARTICLE
Throw Your Watch to the Water
By
Lucy Reynolds
MANIFESTO
Oblique Viewing
By
Alia Syed
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
ARTICLE
The Sound of Story
By
Stephen Daltry
ARTICLE
Widescreen
By
Sarah Wood
ARTICLE
Considerations
By
Gareth Evans
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