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ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

By James Rose

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

By Dorota Ostrowska

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ARTICLE

The State of Things: Transition in South African Cinema

By Jeremy Nathan

Close-Up Cinema First Anniversary Party and Liberated Film Club Programme Launch

Mythical Poetry: The Cinema of Govindan Aravindan

Bion in Film Theory and Analysis Book Launch + Sea Cave Cinema

ARTICLE

Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List

By Linda Pariser

ESSAY

The Double Morality of Cinema

By Julio Garcia Espinosa

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

INTERVIEW

God Exists in Cinema, and Nowhere Else

By John Bradburn

QUESTION AND ANSWER

Space to Animate

By Ruth Lingford

ARTICLE

Quebec Cinema 2005

By Bill Marshall

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ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

ARTICLE

The State of Things: Transition in South African Cinema

Close-Up Cinema First Anniversary Party and Liberated Film Club Programme Launch

Mythical Poetry: The Cinema of Govindan Aravindan

Bion in Film Theory and Analysis Book Launch + Sea Cave Cinema

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Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List

ESSAY

The Double Morality of Cinema

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ESSAY

Three Images of May: Cinema and the Uprising

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God Exists in Cinema, and Nowhere Else

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Space to Animate

ARTICLE

Quebec Cinema 2005

Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s