Archives

By Lucinda Henderson and Brian Robinson

ARTICLE

Phonography and the Drift

By Owen Armstrong

ESSAY

U.S. and Them: I’m Not There and American Surrealism

By Jerry White

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

By Jem Cohen

REVIEW

The Headless Woman

By David Sin

ARTICLE

Image Picture Frame

By Jon Jost, Patrick Keiller, Sam Lamche McMullen, John Maybury and Amie Siegel

ESSAY

Simone Weil: Notes on a Timid Cinema

By Anat Pick

ARTICLE

Things that Quicken the Heart

By Catherine Lupton

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

INTERVIEW

Television On: Interactivity and the Future of the Image

By Nick Haeffner and Chris Lane

POEM

Vision Field: Four Poems by Jeremy Reed

By Jeremy Reed

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

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John Smith: Introspective Programme 5 (1993-96)

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Cinematic Rebellion

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Phonography and the Drift

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U.S. and Them: I’m Not There and American Surrealism

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

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The Headless Woman

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Image Picture Frame

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Simone Weil: Notes on a Timid Cinema

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Things that Quicken the Heart

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Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

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Television On: Interactivity and the Future of the Image

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"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Elective Affinities