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Take Two: Hiroshima Mon Amour / Amour
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
Pallavi Paul: Long Hair, Short Ideas
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
Spartacus
ARTICLE
Vertigo Café: Fatwa against Woman Filmmaker
Political Allegories
ARTICLE
Two Men with Flowering Branches
By
Graeme Hobbs
Missing Images
ARTICLE
Real Lives: Camcorder Cults
By
Jon Dovey
Mika Taanila: A Survey
ARTICLE
Duality of Light
By
Wendy Walker
Abstraction vs. Representation
OBITUARY
When Faces Counted Most
By
Noah Isenberg
Divine Intervention: A Chronicle of Love and Pain
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