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By Owen Armstrong

ARTICLE

Fespaco: Nationalism or Pan-Africanism? A Takeover for our Times!

By Abdul War and Med Hondo

Edge of Frame: Material Fragments

ARTICLE

Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production

By Richard Taylor

Close-Up on Ingmar Bergman

ARTICLE

Aesthetic Ecstasy and Truth

By John Bradburn

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

By Graham Murdoch

Slow Short Film Festival, Part 2

ARTICLE

Enter technology | Enter art | Enter perspective

By Amanda Egbe

REVIEW

The Disappearance of Finbar II

By Sean Cubitt

Close-Up on Yasujirō Ozu

ARTICLE

Pictures Enlightened

By Jerry White

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

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Close-Up on the Taviani Brothers

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Rushes Short Film Festival

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Fespaco: Nationalism or Pan-Africanism? A Takeover for our Times!

Edge of Frame: Material Fragments

ARTICLE

Opportunities Knocked: Regional Broadcasters and Grant-Aided Film Production

Close-Up on Ingmar Bergman

ARTICLE

Aesthetic Ecstasy and Truth

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

Slow Short Film Festival, Part 2

ARTICLE

Enter technology | Enter art | Enter perspective

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The Disappearance of Finbar II

Close-Up on Yasujirō Ozu

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Pictures Enlightened

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‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

The Village Shoemakers