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By By Pepe Baena and Margaret Dickinson

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

By Maysoon Pachachi

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

By Damien Sanville

ARTICLE

Singapore Sings

By Ben Slater

ARTICLE

“The skin, the aging, the imperfection, the colour, the beauty”

By Sophie Mayer

ARTICLE

Visual Art and the Moving Image

By James Swinson

INTERVIEW

From the Beats to the Beastly

By Jay Clifton

Histoire(s) du cinéma

Voyages Elsewhere

ARTICLE

From across the Channel

By Philippe Carcassonne

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

ARTICLE

Kate Adams: Feeling and Knowing

By Catherine Elwes

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

By Patricia Grzonka

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

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Edge of Frame: Brushwork: The Painted Animation

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A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

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Observer/Observed: An Interview with Takahiko Iimura

ARTICLE

Singapore Sings

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“The skin, the aging, the imperfection, the colour, the beauty”

ARTICLE

Visual Art and the Moving Image

INTERVIEW

From the Beats to the Beastly

Histoire(s) du cinéma

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From across the Channel

ARTICLE

The Slade School and Cinema: Part Two

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Kate Adams: Feeling and Knowing

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

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"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films