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ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
Hungarian Cinema
By
John Cunningham
QUESTION AND ANSWER
Pawel Pawlikowski Masterclass: Between Documentary and Drama
By
Doc House
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
Take Two: Passage à l'Acte / To Kill a Mockingbird
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ARTICLE
Where New Dreams Are Drawn: For a Cinema of Interiority
By
Adam Kossoff
ARTICLE
How Very Dare He
By
Owen Armstrong
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
Challenge the Blight Paper!
By
Daniel Schechter
ARTICLE
We Do the Real Thing
By
Christopher Roth
ARTICLE
Tilda Swinton: In the Spirit of Derek Jarman
By
Tilda Swinton
ARTICLE
It Happened Here
By
Richard Armstrong
ARTICLE
Nothing is More Bourgeois than Being Afraid to Look Bourgeois
By
Robert Chilcott
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