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ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

By Claire Kitson

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

ARTICLE

Digital Futures: Independents' Day

By Susan Picken

ARTICLE

For Tomorrow’s Witness

By Don Redding

DOCUMENT

Barton Aerodrome: From a Work-in-Process

By Nicholas Royle

ARTICLE

Sensing Histories

By Metin Alsanjak

ARTICLE

Tokyo Slaughterhouse

By Stephen Barber

INTERVIEW

The London Film School at 50

By Robert Chilcott

ARTICLE

Wholly Attending: Notes on the Lessons of Black Sun

By Gareth Evans

LETTER

There Will Be no Cinema in Utopia

By John Jordan

POEM

High Blue

By Tereza Stehlíkovà

QUESTION AND ANSWER

Five Broken Cameras

By Elizabeth Wood

Related Items

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

ARTICLE

Digital Futures: Independents' Day

ARTICLE

For Tomorrow’s Witness

DOCUMENT

Barton Aerodrome: From a Work-in-Process

ARTICLE

Sensing Histories

ARTICLE

Tokyo Slaughterhouse

INTERVIEW

The London Film School at 50

ARTICLE

Wholly Attending: Notes on the Lessons of Black Sun

LETTER

There Will Be no Cinema in Utopia

POEM

High Blue

QUESTION AND ANSWER

Five Broken Cameras

Looking in and out: The Films of Nick Collins

Extracted and Circulated