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ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
Between Land and Sea: Art and the Bigger Picture
By
Steven Ball
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
Controlled Collisions
By
Tony Grisoni
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
ARTICLE
Blindfolded Architecture
By
Alicia Guerrero Yeste
INTERVIEW
The Quiet Genius of Victor Erice
By
Geoff Andrew
ESSAY
‘Eyewitness’ Documentary and the Fabrication of ‘Truth’
By
Phil Gunson
ARTICLE
Fajr Film Festival Diary, Iran
By
Michael Chanan
ARTICLE
Première Station: Jésus de Montréal- A Filmgrimage
By
Sophie Mayer & Lady Vervaine
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
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