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By John Bradburn

Winstanley

ARTICLE

African Cinema: Addressee

By Rod Stoneman

Open City Documentary Festival

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

Four Parts of a Folding Screen

The Early Films of Peter Greenaway

Paris, Texas

ARTICLE

We Have Been Here Before

By Margaret Dickinson

Open City Documentary Festival

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

ARTICLE

The Mind's Eye: Chris Marker Level Five

By Allan Francovich

ARTICLE

Real Lives: Video Nation

By Mandy Rose

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

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Open City Documentary Festival – The Art of Non-Fiction

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Letter from the Seattle International Film Festival

Winstanley

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African Cinema: Addressee

Open City Documentary Festival

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

Four Parts of a Folding Screen

The Early Films of Peter Greenaway

Paris, Texas

ARTICLE

We Have Been Here Before

Open City Documentary Festival

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

ARTICLE

The Mind's Eye: Chris Marker Level Five

ARTICLE

Real Lives: Video Nation

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Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller