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ARTICLE
Hungarian Cinema
By
John Cunningham
QUESTION AND ANSWER
The Terminal Man
By
Jason Wood
ARTICLE
Capturing the Elephant
By
Asu Aksoy
REVIEW
Visionary Landscapes: The Films of Nina Danino
By
Althea Greenan
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
ARTICLE
Veil
By
Gareth Evans
ESSAY
Something in the Interval
By
Marina Vishmidt
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
INTERVIEW
Distant Voices, Still Lives: An interview with Terence Davies
By
Peter Fraser
ARTICLE
Nothing is More Bourgeois than Being Afraid to Look Bourgeois
By
Robert Chilcott
REVIEW
Dreyer
By
David Rudkin
INTERVIEW
Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s
By
Mark Goodall
ARTICLE
The Sins of the Father: Andrei Zvyagintsev in Conversation
By
James Norton
DOCUMENT
Message from...’68: The News, the Stories, the Photographs
By
International Herald Tribune
POEM
Brilliant, gorgeous, painted, gay
By
Derek Jarman
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