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By Malcolm Le Grice

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

REVIEW

Desire and Sexuality – Animating the Unconscious

By David Surman

ARTICLE

Tall Stories, Bottom Lines

By Ben Woolford

ARTICLE

Ed Lewis: Programmer Notes

By Jane Giles

ARTICLE

Grosvenor Square: On Not Getting to Paris

By Iain Sinclair

REVIEW

Genteel, Accessible, Revolutionary

By Roger Luckhurst

London Korean Film Festival

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

The Soldier’s Lagoon

ARTICLE

Who's to Say What We Should and Shouldn't See?

By Margaret Dickinson and Simon Reynell

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I Like the FID and the FID Likes Me

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Desire and Sexuality – Animating the Unconscious

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Tall Stories, Bottom Lines

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Ed Lewis: Programmer Notes

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Grosvenor Square: On Not Getting to Paris

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Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

The Soldier’s Lagoon

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Who's to Say What We Should and Shouldn't See?