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By Holly Aylett and Margaret Dickinson

Killer of Sheep

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Overheard in the Vertigo Café...

ARTICLE

New Technology: Media Meltdown

By Granville Williams

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

By Rob Rix

ESSAY

The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

By Nick Denes

REVIEW

Paradoxes of Peace or the Presence of Infinity

By Nicholas Mosley

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

By Damien Sanville

ARTICLE

London: The Background

By William Raban

ARTICLE

Lindsay Anderson Notes

By John Anderton

ARTICLE

On Showing a Film: Some Thoughts and Voices

By Peter Todd

ARTICLE

Desire in Action: The Cube Microplex and the Future of Cinema

By Graeme Hogg and Chris Williams

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Why and for Whom Do We Film Today?

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Overheard in the Vertigo Café...

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New Technology: Media Meltdown

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Paulo Antonio Paranagua, Mexican Cinema

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The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

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Paradoxes of Peace or the Presence of Infinity

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Observer/Observed: An Interview with Takahiko Iimura

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London: The Background

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Lindsay Anderson Notes

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On Showing a Film: Some Thoughts and Voices

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Desire in Action: The Cube Microplex and the Future of Cinema